‘Las heridas del viento’ is a tense and moving exploration of the devastating effect that unrequited love can have upon an individual. Juan (Kiti Mánver) and David (Dani Muriel) are strangers with little in common. The death of Rafael, David’s patriarchal and unsentimental father, brings the two men together and forces them to confront the reality of their relationship with him and the way it has shaped their identity. Photos © Noela Roibás
Adapted and directed by the National Theatre of Scotland’s Artistic Director Laurie Sansom and designed by Spanish stage designer Ana Inés Jabares Pita (winner of the 2013 Linbury Prize for Stage Design), ‘The Driver’s Seat’ is the first theatrical presentation of Muriel Spark’s psychologically thrilling 1970 short novel which plays at the Lyceum Theatre, Edinburgh and tramway, Glasgow from 13 June 2015.
La Incubadora del Corral (‘The Corral Incubator’), an experimental theatre programme running for its third consecutive year at Corral de las Comedias in Alcalá de Henares, Madrid.
The title of Jardiel Poncela’s most popular work conjures up a pastoral image, quite middle class. A sleepy little girl in a springtime garden, stood beneath a flowering tree… It’s not until the very end that the audience finds out that the title is actually referring to the place where a body has been buried — that little girl from the pastoral image was actually the victim of a family of lunatics and a class system in which social appearances don’t quite mirror the truth.
Just over a year ago, Brit Es Magazine published rumours of actor, director and producer Jorge de Juan’s ambitious plan to create a Spanish theatre company in London. One month later, the Spanish Theatre Company made their debut at the White Bear Theatre, a venue which played host to early performances from the likes of Torben Betts and Lucinda Coxon, despite being so small it barely holds 40 spectators.
Pathos Theatre returns to London to play with your feelings through a unique and brilliant international cast, live music, graphics? and more travelling. Next April Pathos Theatre presents Lessons to dissect a heart, a story about people trying to learn their lessons about love, but struggling to find the right companions. The questions are: is love going to be enough for them? Can love save them or is love going to kill them? Are they ready to undergo the physical and emotional impact?
‘Unborn in America’ is a twisted satire of American excess. Created by composer Luke Styles (Glyndebourne Opera) and director-librettist Peter Cant and stared by acclaimed opera singer and cabaret artist Jessica Walker.
Olivier-Award winner Tamsin Greig makes her musical theatre debut in the UK première of David Yazbek and Jeffrey Lane’s new musical comedy adaptation of Pedro Almodóvar’s Oscar-nominated film “Women on the Verge of a Nervous Breakdown”. Directed by Tony Award-winner Bartlett Sher, and with an international cast that includes Ricardo Afonso, Marianne Benedict, Haydn Gwynne, Seline Hizli, Holly James, Michael Matus, Rebecca McKinnis, Sarah Moyle, Alastair Natkiel, Haydn Oakley, Jérôme Pradon, Nuno Queimado, Dale Rapley, Anna Skellern, and Willemijn Verkaik, “Women on the Verge of a Nervous Breakdown” will open at The Playhouse Theatre on 12 January 2015.
On a sunny London morning in February, we meet Jorge de Juan, Spanish actor, director and producer who came to live in London just a few months ago, following a long career in Spain. He tells us that in the short space of time since he arrived, he has been to see more than fifty plays in the capital. Amongst these, of course, are a handful of Spanish classics performed at the Arcola Theatre in Hackney.
I came to London to do an MA in Set Design at the Royal Central School of Speech and Drama. It has really opened my eyes and given me lots of great opportunities. I am currently a member of the Society of British Designers and I have contributed to their magazine, Blue Pages. I started working with Second Skin Theatre just a few days after I handed in the final project for my Masters. Real life is not at all like working on speculative projects, there are so many limitations: space, budget… but in some sense I can turn these to my advantage; it allows me to use my creativity to the full